kath;

Living and dying in the 502; talk at me.

relijion:

Suehiro Maruo x Olga Markowska

LICKING EYEBALLS IS NOT A THING, DONT MAKE IT A THING

(via int-e)

doemilk:

angryblackman:

Watching Adventure Time, and Lemongrab freaks me out.

He’s creepy

This is UNACCEPTABLE!

fuks:

A Vancouver charity, RainCity Housing, is converting city benches into pop-up shelters for homeless people. And by giving homeless people in this rainy city some dry coverage and a place to rest, RainCity is putting London’s anti-homeless spikes to shame.

(via setbabiesonfire)

Veins protruding in arms will never not be attractive to me. #feelinsleezynotsorry #icameoutoftumblrhidingtotellyouthis

Veins protruding in arms will never not be attractive to me. #feelinsleezynotsorry

#icameoutoftumblrhidingtotellyouthis

(Source: seaquariums, via mermaid-vampire)

oddfuture:

Tyler Did His Own Version of ‘Daisy Bell’ For Mark Rydens Latest Art Installment ‘The Gay 90s’ 

#obsessed

eclecticpandas:

thebestworstidea:

resilientkate:

softgore:


“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important


So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.
I want you to think about what you said.
What you keep saying.
What you are telling your children.
You are making them powerless.

powerful

THIS—not fucking crayon art, limp crochet’d pieces tacked to the wall, or even photo-collages of landscapes mixed with photos of feminine physique— this is art. The art of recognizing and inspecting the ways of man kind is art worth paying attention to.

eclecticpandas:

thebestworstidea:

resilientkate:

softgore:

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

this is why performance art is important

So every single person who told me ‘ignore them they’ll go away’ and ‘you can’t let them know they bothered you’ and ‘They’ll stop if they don’t see you react’ and all that bull shit, my entire school career, I want you to look good and hard at this.

I want you to think about what you said.

What you keep saying.

What you are telling your children.

You are making them powerless.

powerful

THIS—not fucking crayon art, limp crochet’d pieces tacked to the wall, or even photo-collages of landscapes mixed with photos of feminine physique— this is art.

The art of recognizing and inspecting the ways of man kind is art worth paying attention to.

(Source: andrewfishman, via stalchilld)

tobia:

Juxtapoz Magazine shout-out.
Thanks so much!
(Correction: I’m no longer based in AL. Am in NYC now.)

tobia:

Juxtapoz Magazine shout-out.

Thanks so much!

(Correction: I’m no longer based in AL. Am in NYC now.)